工作機會
Menu

共同應對氣候問題

Art on Climate 國際插畫比賽

感謝各位熱愛插畫的人士支持及踴躍參與「Art on Climate」國際插畫比賽，比賽已經完滿結束。

於過去10星期，我們從全球不同地區共收到超過3,500份作品。

「創意、質素和藝術性」、「切合主題」、「製作技巧」及「文字說明內容」為是次比賽的評審準則。

瀏覽以下的網上展覽，了解比賽的得獎名單及其優勝作品。（只提供英文版本，請點擊作品了解更多。）

插畫組別

冠軍

The Earth is boiling like a giant pot, yet it remains the home for both humans and all inhabitants. Forests and mountains are where animals belong, just as cities are where we live. As our world heats up, what have we lost along the way? Who has been forced to leave their home? There is still hope if we choose to protect our home together.

PO WEN HSIN
The Earth is boiling like a giant pot, yet it remains the home for both humans and all inhabitants. Forests and mountains are where animals belong, just as cities are where we live. As our world heats up, what have we lost along the way? Who has been forced to leave their home? There is still hope if we choose to protect our home together.

PO WEN HSIN

亞軍

"Remember the past. Shape the future."
In a world where destruction feels permanent, I wanted to capture a fragile vision - a memory, or perhaps a possibility.
This piece explores the tension between what we have lost and what we still might save.
The image within the torn paper is not a fantasy.
It is what once existed, and what can be again if we choose to act.
Hope is not a passive wish, it is something we build with our hands, like art.

FAHIMEH AZAD
"Remember the past. Shape the future."
In a world where destruction feels permanent, I wanted to capture a fragile vision - a memory, or perhaps a possibility.
This piece explores the tension between what we have lost and what we still might save.
The image within the torn paper is not a fantasy.
It is what once existed, and what can be again if we choose to act.
Hope is not a passive wish, it is something we build with our hands, like art.

FAHIMEH AZAD

季軍

The fight against climate change is a shared mission that requires a unified effort from all inhabitants of our planet. This includes not only humans but also animals, who are equally impacted by global warming. We must learn to live in harmony with nature and work together to build a safe and sustainable future for ourselves, for future generations, and for all the creatures that co-exist with us. The illustration depicts animals and humans working side by side on a joint rescue mission, boarding hot air balloon ships that will navigate towards a hopeful and sustainable future.

TOMOYO HIROISHI
The fight against climate change is a shared mission that requires a unified effort from all inhabitants of our planet. This includes not only humans but also animals, who are equally impacted by global warming. We must learn to live in harmony with nature and work together to build a safe and sustainable future for ourselves, for future generations, and for all the creatures that co-exist with us. The illustration depicts animals and humans working side by side on a joint rescue mission, boarding hot air balloon ships that will navigate towards a hopeful and sustainable future.

TOMOYO HIROISHI

優異獎

（排名不分先後）

"I Hear You"
The artwork depicts a young girl gently holding the Earth, her ear resting against it as if listening to its pain. She hears the planet’s silent cries and begins to mend its cracks with a yellow thread. This symbolic image captures the deep emotional connection between humans and the Earth, reminding us that we can choose to heal rather than harm. The vivid background, with blooming flowers and warm colors, speaks of hope and renewal. The artwork suggests that when we truly listen to our planet, even small acts of care can inspire powerful change.

ALONA ZINCHENKO
"I Hear You"
The artwork depicts a young girl gently holding the Earth, her ear resting against it as if listening to its pain. She hears the planet’s silent cries and begins to mend its cracks with a yellow thread. This symbolic image captures the deep emotional connection between humans and the Earth, reminding us that we can choose to heal rather than harm. The vivid background, with blooming flowers and warm colors, speaks of hope and renewal. The artwork suggests that when we truly listen to our planet, even small acts of care can inspire powerful change.

ALONA ZINCHENKO
This illustration depicts a nuclear power plant where one of its chimneys takes the shape of a vase, inside which fragile flowers, a symbol of life, try to bloom. However, the heat and toxicity of the environment cause them to wilt, revealing the contradiction between progress and the limits of nature. This illustration thus invites reflection on the invisible impacts of industrial development and the dangers of exceeding planetary boundaries. Beauty cannot survive when cultivated in unsustainable or toxic environments.

ANA FILIPA SUBTIL CARVALHO
This illustration depicts a nuclear power plant where one of its chimneys takes the shape of a vase, inside which fragile flowers, a symbol of life, try to bloom. However, the heat and toxicity of the environment cause them to wilt, revealing the contradiction between progress and the limits of nature. This illustration thus invites reflection on the invisible impacts of industrial development and the dangers of exceeding planetary boundaries. Beauty cannot survive when cultivated in unsustainable or toxic environments.

ANA FILIPA SUBTIL CARVALHO
The illustration depicts humans indulging in cool comfort as the scorching heat from the giant air conditioner transforms into a raging wildfire, forcing forest creatures to flee their homes. This reflects the conflict between human convenience and the ecosystem, urging people to realise that every degree of coolness fuels distant wildfires that will ultimately cause catastrophic climate change and devastate the planet.

CHAN MEI TOU
The illustration depicts humans indulging in cool comfort as the scorching heat from the giant air conditioner transforms into a raging wildfire, forcing forest creatures to flee their homes. This reflects the conflict between human convenience and the ecosystem, urging people to realise that every degree of coolness fuels distant wildfires that will ultimately cause catastrophic climate change and devastate the planet.

CHAN MEI TOU
A group of penguins crosses a desolate landscape, only to be greeted by a billboard advertising a “100% Penguin Friendly” detergent. The cheerful slogan is a hollow promise in a world without ice.

The very thing they were promised would be protected is what we have destroyed.

CHEN YING YU
A group of penguins crosses a desolate landscape, only to be greeted by a billboard advertising a “100% Penguin Friendly” detergent. The cheerful slogan is a hollow promise in a world without ice.

The very thing they were promised would be protected is what we have destroyed.

CHEN YING YU
"Paws for Our Planet" illustrates the power of a united front. A diverse community of felines, each unique in their own way, links paws to form a powerful vortex of shared purpose. This interconnected web of action shows that when we come together, we can build a formidable and swirling momentum needed to tackle the escalating climate crisis.

CHEUNG SHUN MAN
"Paws for Our Planet" illustrates the power of a united front. A diverse community of felines, each unique in their own way, links paws to form a powerful vortex of shared purpose. This interconnected web of action shows that when we come together, we can build a formidable and swirling momentum needed to tackle the escalating climate crisis.

CHEUNG SHUN MAN
I imagined a world melting away, where a lone penguin stands on cracking ice, waiting. On the other side, a group of people, bound together, reach out, their hands tied yet hopeful. The ropes? They’re not just restraints. They’re the ties that remind us we’re all connected, to nature, to this moment.
This image came from a question that haunts me: Will we act together, or will we let the distance grow?
It’s my way of saying that climate change isn’t someone else’s story; it is ours, and we must write the next chapter together.


ELNAZ MASROUR
I imagined a world melting away, where a lone penguin stands on cracking ice, waiting. On the other side, a group of people, bound together, reach out, their hands tied yet hopeful. The ropes? They’re not just restraints. They’re the ties that remind us we’re all connected, to nature, to this moment.
This image came from a question that haunts me: Will we act together, or will we let the distance grow?
It’s my way of saying that climate change isn’t someone else’s story; it is ours, and we must write the next chapter together.


ELNAZ MASROUR
This painting reimagines the classic image of polar bear on melting ice. Arctic animals gaze at a hologram of their ancestors thriving in a vibrant natural world. While 2025 feels like the present, the artwork questions whether we've truly considered our distant future - where ecosystems have collapsed from global warming. The artist uses dark humour and deliberate exaggeration - like a spaceship serving as an artificial ecosystem - to deliver its warning. Playful yet profound, this surreal vision portrays a potential future for Earth: a planet devoid of natural life.

FATEMA MOHEQI
This painting reimagines the classic image of polar bear on melting ice. Arctic animals gaze at a hologram of their ancestors thriving in a vibrant natural world. While 2025 feels like the present, the artwork questions whether we've truly considered our distant future - where ecosystems have collapsed from global warming. The artist uses dark humour and deliberate exaggeration - like a spaceship serving as an artificial ecosystem - to deliver its warning. Playful yet profound, this surreal vision portrays a potential future for Earth: a planet devoid of natural life.

FATEMA MOHEQI
The Keepers salvage every piece of plastic they find on the beach, assembling it into a towering house that steadily climbs toward the sky. The illustration was drawn by hand and coloured digitally.

HELENA BONASTRE RODRIGUEZ
The Keepers salvage every piece of plastic they find on the beach, assembling it into a towering house that steadily climbs toward the sky. The illustration was drawn by hand and coloured digitally.

HELENA BONASTRE RODRIGUEZ
“Drowned by Our Own Waste”
This illustration explores the metaphor of humanity drowning in the pollution it has created. The artwork depicts a human figure overwhelmed and entangled in plastic waste, tangled wires, and marine debris — a visual representation of how environmental negligence not only harms nature but ensnares us as well. The piece reflects the theme of Ecological Limits, calling for a collective awakening toward responsibility and sustainable action.

HONG NGOC NGUYEN THI
“Drowned by Our Own Waste”
This illustration explores the metaphor of humanity drowning in the pollution it has created. The artwork depicts a human figure overwhelmed and entangled in plastic waste, tangled wires, and marine debris — a visual representation of how environmental negligence not only harms nature but ensnares us as well. The piece reflects the theme of Ecological Limits, calling for a collective awakening toward responsibility and sustainable action.

HONG NGOC NGUYEN THI
Long periods of drought, as a result of climate change, are becoming increasingly common in our planet. Without the latest technology and the implementation of new inventions that will help nature survive, all of us will be seriously threatened by famine.

IZABELA KOWALSKA-WIECZOREK
Long periods of drought, as a result of climate change, are becoming increasingly common in our planet. Without the latest technology and the implementation of new inventions that will help nature survive, all of us will be seriously threatened by famine.

IZABELA KOWALSKA-WIECZOREK
While climate change is primarily caused by human activities, such as factory emissions and solid waste, we often overlook how serious it could be. This illustration depicts a worst-case scenario of water scarcity where humans and animals have to compete for every last drop of water. To survive the extreme weather and dehydration, humans have evolved cactus-like heads. The affected animals retaliate by attacking humans who caused this crisis. I hope this unsettling drawing will raise our awareness: Who is the cause? And who will pay the price?

LAM HIU MING
While climate change is primarily caused by human activities, such as factory emissions and solid waste, we often overlook how serious it could be. This illustration depicts a worst-case scenario of water scarcity where humans and animals have to compete for every last drop of water. To survive the extreme weather and dehydration, humans have evolved cactus-like heads. The affected animals retaliate by attacking humans who caused this crisis. I hope this unsettling drawing will raise our awareness: Who is the cause? And who will pay the price?

LAM HIU MING
This artwork shows a harsh criticism of a self-sustaining cruise ship that has been transformed into an ecological oasis. Inside, vegetable gardens, solar panels, and yoga classes form a strong contrast with an outside world devastated by the environmental crisis. It highlights the illusions of sustainability and extreme privilege.

MARTIN FIGUEREDO
This artwork shows a harsh criticism of a self-sustaining cruise ship that has been transformed into an ecological oasis. Inside, vegetable gardens, solar panels, and yoga classes form a strong contrast with an outside world devastated by the environmental crisis. It highlights the illusions of sustainability and extreme privilege.

MARTIN FIGUEREDO
Tipping Points - The Point of no return. It is a seemingly hopeless situation where saving the world appears to be nothing more than a futile artistic endeavour destined to fail.

MARTIN LAMMERT
Tipping Points - The Point of no return. It is a seemingly hopeless situation where saving the world appears to be nothing more than a futile artistic endeavour destined to fail.

MARTIN LAMMERT
This illustration reflects the destructive impact of consumerism on our planet. Endangered animals and entire ecosystems are trapped in supermarket packaging, symbolising how nature has been reduced to a product. A line of guardians wearing sustainable clothing and solar-panel armor forms a living barrier, holding back the greedy hands of unchecked capitalism. The artwork highlights the urgent need to redefine our relationship with consumption and protect the planet’s boundaries before it is too late.

MAYA WENDORFF
This illustration reflects the destructive impact of consumerism on our planet. Endangered animals and entire ecosystems are trapped in supermarket packaging, symbolising how nature has been reduced to a product. A line of guardians wearing sustainable clothing and solar-panel armor forms a living barrier, holding back the greedy hands of unchecked capitalism. The artwork highlights the urgent need to redefine our relationship with consumption and protect the planet’s boundaries before it is too late.

MAYA WENDORFF
This watercolor painting depicts a silent courtroom where humans and animals sit across from each other, trying to uncover the true cause of the climate crisis. On the right, human activities—factories, refineries, and industrial farming—are pushing the Earth to its limits. On the left are livestock, known for producing methane, BUT they exist within a system built on human demand. The animals have shown up—because they can no longer wait. The grayscale crowd below represents future generations, silent witnesses to the consequences of our inaction. This artwork is not just a warning—it’s a call for shared responsibility, before it’s late.

NAJMEH DELARA
This watercolor painting depicts a silent courtroom where humans and animals sit across from each other, trying to uncover the true cause of the climate crisis. On the right, human activities—factories, refineries, and industrial farming—are pushing the Earth to its limits. On the left are livestock, known for producing methane, BUT they exist within a system built on human demand. The animals have shown up—because they can no longer wait. The grayscale crowd below represents future generations, silent witnesses to the consequences of our inaction. This artwork is not just a warning—it’s a call for shared responsibility, before it’s late.

NAJMEH DELARA
This painting portrays a young girl holding a glowing bulb, symbolising knowledge and empowerment. Surrounding her are diverse hands connected by yellow strings, representing unity across races and generations in the fight against climate change. The bulb she holds suggests that when empowered, the youth can illuminate paths toward a sustainable future. The trash around her reflects today’s environmental challenges. This artwork delivers a powerful message: while children are often called the hope of the future, we must recognise that we are the hope of their future. It is our responsibility to act now—for them, and for what’s yet to come.

ORVEN MARANTAN
This painting portrays a young girl holding a glowing bulb, symbolising knowledge and empowerment. Surrounding her are diverse hands connected by yellow strings, representing unity across races and generations in the fight against climate change. The bulb she holds suggests that when empowered, the youth can illuminate paths toward a sustainable future. The trash around her reflects today’s environmental challenges. This artwork delivers a powerful message: while children are often called the hope of the future, we must recognise that we are the hope of their future. It is our responsibility to act now—for them, and for what’s yet to come.

ORVEN MARANTAN
This illustration addresses the impact of urbanisation, population growth, and human negligence on global warming and polar ice melting. By showing endangered Arctic animals in a city protesting alongside a child activist, the artwork creates a face-to-face confrontation between modern city life and the environmental crisis. It aims to awaken urban dwellers from their daily routine, urging them to recognise the ecological consequences of their actions and the urgent need to protect the Earth’s fragile ecosystems before irreversible damage occurs.

SHAQAYEQ NEMATI
This illustration addresses the impact of urbanisation, population growth, and human negligence on global warming and polar ice melting. By showing endangered Arctic animals in a city protesting alongside a child activist, the artwork creates a face-to-face confrontation between modern city life and the environmental crisis. It aims to awaken urban dwellers from their daily routine, urging them to recognise the ecological consequences of their actions and the urgent need to protect the Earth’s fragile ecosystems before irreversible damage occurs.

SHAQAYEQ NEMATI
As humanity expands, our cities consume green spaces. We pollute, destroy nature, cut down forests and poison our water. To save ourselves, we must save the nature. Let's bring the nature back into our homes, into our hearts…

VLADIMIR STANKOVSKI
As humanity expands, our cities consume green spaces. We pollute, destroy nature, cut down forests and poison our water. To save ourselves, we must save the nature. Let's bring the nature back into our homes, into our hearts…

VLADIMIR STANKOVSKI
The deception of the future.
This illustration warns us that if we do not take care of our planet today, if we do not use factories and production more responsibly, the climate on the planet will suffer, the average temperature will rise, and we may face a big drought. In this case our children and grandchildren will not be able to see beautiful fields, flowers and nature. Instead, they will have to use filters on their phones, just to have a photo against the background of the desert. Let's not let this happen!

YELENA YESPULOVA
The deception of the future.
This illustration warns us that if we do not take care of our planet today, if we do not use factories and production more responsibly, the climate on the planet will suffer, the average temperature will rise, and we may face a big drought. In this case our children and grandchildren will not be able to see beautiful fields, flowers and nature. Instead, they will have to use filters on their phones, just to have a photo against the background of the desert. Let's not let this happen!

YELENA YESPULOVA
The smoke and garbage of industrial civilisation are devouring the habitats of polar bears and other wildlife. The polar bear depicted here stands as both a symbol of the homeless creatures left behind by ecological destruction and nature's warning blade brandished at mankind. The only thing we can do is to protect the earth and prevent such cries from spreading.

ZHOU JIEYU
The smoke and garbage of industrial civilisation are devouring the habitats of polar bears and other wildlife. The polar bear depicted here stands as both a symbol of the homeless creatures left behind by ecological destruction and nature's warning blade brandished at mankind. The only thing we can do is to protect the earth and prevent such cries from spreading.

ZHOU JIEYU
動畫影片組別

冠軍

This short animation illustrates how building a sustainable future depends on the choices, actions, and behaviours of each individual. It emphasises that our presence and role are crucial, and together we can address climate change and shape a more sustainable world.

MOHAMMADALI SHARIFIAN DORCHEH
This short animation illustrates how building a sustainable future depends on the choices, actions, and behaviours of each individual. It emphasises that our presence and role are crucial, and together we can address climate change and shape a more sustainable world.

MOHAMMADALI SHARIFIAN DORCHEH

亞軍

Whether for better or worse, the climate reacts in kind to how we treat it. If we want a future in our favour, we need to commit to actions that encourage a positive response from nature. Your actions should lean more toward protecting and rebuilding nature, rather than contributing to its decline.

KOMLAN EMMANUEL YEMEY
Whether for better or worse, the climate reacts in kind to how we treat it. If we want a future in our favour, we need to commit to actions that encourage a positive response from nature. Your actions should lean more toward protecting and rebuilding nature, rather than contributing to its decline.

KOMLAN EMMANUEL YEMEY

季軍

This video showcases how electric cars are transforming sustainability. They are reducing emissions, advancing clean technology, and inspiring communities to adopt greener transportation. By embracing this innovation, we can drive meaningful climate action and move toward a cleaner, more sustainable future.

FLORENCE ANLIMAH ESSIEN
This video showcases how electric cars are transforming sustainability. They are reducing emissions, advancing clean technology, and inspiring communities to adopt greener transportation. By embracing this innovation, we can drive meaningful climate action and move toward a cleaner, more sustainable future.

FLORENCE ANLIMAH ESSIEN

恭喜所有得獎者！主辦機構會以電郵通知得獎者有關獎項領取事宜。詳情請瀏覽條款及細則。

比賽詳情

促進創新意念 應對氣候挑戰

氣候變化不再是遙遠威脅，而是眼前的現實。每拖延一刻，挑戰便更嚴峻，但每一個行動，無論多微小，都能帶來改變。我們每個人都能參與其中 – 選擇可持續的生活方式、減少碳排放及推動深層改革，我們的集體努力可以為未來鋪路。憑藉現今科技，個人行動足以引發全球改變。只要我們齊心協力，就能扭轉局勢，為後代守護綠色的明天。

「Art on Climate」國際插畫比賽由十點子有限公司主辦，安聯投資贊助，旨在提升公眾對緩解氣候變化的關注。

比賽現誠邀優秀插畫家及影片創作人參與，以氣候變化為主題進行創作，並藉此作為交流平台以促進創新意念的分享，鼓勵公眾從日常生活中採取行動，攜手應對氣候變化所帶來的挑戰。

比賽主題： 氣候變化
參賽資格： 18歲或以上*所有地區人士均可參與
報名時間︰ 2025年5月19日至7月31日（包括首尾兩天）
公佈得獎名單︰ 2025年9月30日或之前
獎項︰ 有機會贏取高達2,000歐元*
參賽費用︰ 免費

*詳情請瀏覽條款及細則。

參賽步驟
動筆畫畫
想到有甚麼關於氣候變化的東西？立即動筆畫出來！
儲存作品
完成後將作品儲存為指定格式。
報名及上傳作品
網上填寫報名表格和上傳作品。
立即報名及上傳作品
比賽詳情

自2019年在西班牙首次舉辦以來，「Art on Climate」國際插畫比賽已發展為全球矚目的活動。最初的地區性項目在過去六年已吸引來自世界各地的數千名藝術家。於2024年，比賽收到來自100多個地區、逾2,400位插圖畫家的逾3,000件作品。延續去年的成功，插畫比賽今年繼續在亞太區舉辦，匯聚專業插畫家與新銳人才，運用創意向世界各地推廣紓緩氣候變化的重要性。

贊助機構安聯投資自20多年前已是全球可持續投資領域的先驅，我們一直致力提倡可持續發展，並體現於我們的使命及決策當中。作為2007年首50家簽署聯合國「責任投資原則」（UN PRI）的資產管理公司之一，我們將可持續發展原則深入整合至業務的每個層面，包括投資、盡職治理及營運。憑藉這份承諾，我們致力推動金融領域的正面變革，同時為客戶及整體社區帶來持久的價值。我們誠邀各界參與「Art on Climate」比賽，攜手締造可持續的未來。

比賽主題

參賽者須以「氣候變化」為主題，提交原創作品，並須參考以下一個或多個主題進行構思：

  1. 打造強韌社區 應對氣候挑戰
    氣候變化是當前一大挑戰，對環境、社會及治理（ESG）層面影響深遠。為應對日益加劇的風險，社區的風險抵禦能力至關重要，這不僅能協助我們應對當前威脅，也為未來的不確定性做好準備，確保可持續發展。
  2. 守護地球 界定環境承載限制
    為維護地球的穩定與健康，我們需明確界定人類在環境中活動的限制，減少對生物多樣性的影響。尊重這些界限有助我們採取負責任的行動，減輕對生態系統造成不可逆轉的傷害，並避免在應對氣候變化時引發意外後果。
  3. 推動共融資本主義 開創可持續未來
    共融資本主義致力平衡財務回報與社會影響力，推動企業及投資者重視長期價值創造、環境可持續性及社會責任。繼氣候變化後，共融性成為公眾焦點，促使我們提出創新方案，以滿足年輕世代的期望，共建更包容平等的社會。
  4. 擁抱科技 創新可持續方案
    先進科技是推動可持續發展與應對氣候挑戰的關鍵。透過創新技術，我們能鼓勵大眾積極改變日常生活，共同建設一個更美好的未來。
  5. 團結合作 合力應對氣候變化
    為有效應對氣候變化，我們必須團結一致追求可持續目標。採納可持續做法、改變生活方式並分享知識與資源，將推動集體轉變，減緩氣候變化，為所有人創建更可持續的未來。
作品要求
  • 參賽作品必須為參賽者以個人名義提交之原創作品，並須配合比賽主題
  • 每名參賽者最多可提交三份參賽插畫及三部動畫影片
  • 參賽作品不得於參加本比賽前被發表或作其他用途，不得曾獲獎項、或正在參加其他比賽評選
  • 不可於作品上添加任何識別參賽者身份的簽名、文字、符號、圖片，或適用於動畫影片的旁白
  • 每份插畫或動畫影片均須附帶一段文字說明（最少30字，最多100字）

插畫組別

  • 參賽作品必須為平面及彩色
  • 創作媒介不限（如手繪、電腦繪畫、混合素材），惟不接受任何使用人工智能生成的創作，及不得使用相片或電腦軟件上之圖案（clip art）
  • 參賽作品的尺寸必須為A3（297毫米x 420毫米），直、橫式均可
  • 參賽作品格式必須為JPG，解像度不低於300 dpi，文件大小不超過10MB

動畫影片組別

  • 參賽的動畫影片片長須界乎10至15秒
  • 長寬比為9:16（垂直格式，解析度最少為1080x1920像素)，或 1:1（方形格式，解析度最少為1080x1080像素)
  • 必須以MP4或MOV格式上傳，每部提交的動畫影片總檔案大小不得超過30MB
  • 可以使用任何製作技術或工具，惟作品必須為原創
  • 影片應該配備背景音樂，且不得涉及版權問題
  • 不可添加旁白。影片上的任何文字（包括但不限於字幕、副標題等）都必須使用英文
評審團
Matt Christensen 先生
安聯投資
可持續投資和影響力投資環球主管

Matt Christensen自2020年加入安聯投資，擔任可持續和影響力投資環球主管，負責加快推動影響力投資的成長，使其成為公司日益壯大的私募市場平台中，不可或缺的一環。

與此同時，在Matt的領導下，安聯投資持續地將ESG 因素融入到現有的公開市場產品，當中包括盡職治理活動、並支援開發全新的社會責任投資（SRI）產品。此外，Matt還負責公司影響力投資的投資監督工作。

游勇先生
十點子有限公司
董事

游勇先生為十點子有限公司創辦人、「Art on Climate」國際繪畫比賽的主辧人。

鄒超先生
新加坡亞洲藝術協會
主席

鄒超，畢業於新加坡國立大學李光耀公共政策學院，曾在網易、騰訊等知名網路公司工作，目前擔任新加坡亞洲藝術協會主席。 他將自己的多元背景與對藝術的熱愛結合，致力於推動「生活中處處是藝術」的理念。 他深信，藝術不應局限於畫廊和舞台，而應滲透到我們日常生活的方方面面，成為生活的一部分，激發人們對美的感知與追求，並推動社會進步。

劉紹增先生
香港插畫師協會
專業會員

劉紹增（Benny Lau ）是一位屢獲殊榮的設計師，跨領域的創作人、大學講師，亦是經常與大小朋友一起創作繪本的插畫家。近年的Benny，更多走入學校和社區，通過視覺藝術和繪本創作，推動新的創意學習法。他的新書「尋回犬亞嘟」，剛獲入選2025年波隆那拉加茲獎精選百本好書。

劉睿龍先生
台灣插畫師協會
理事長

劉睿龍先生為台灣插畫師協會及亞洲插畫協會理事長、台灣知名插畫家，致力推廣插畫藝術。他從2015年起作為總召集人舉辦「亞洲插畫年度大賞」，該展覽由台北華山文創園區開始，到台中、台南、桃園，以至神戶、吉隆坡和上海等地，已成為亞洲插畫界首屈一指的盛事之一。

劉祉君女士
祉澗視覺藝術工作室
創辦人

劉祉君，一位創造奇幻世界的插畫師。

她在上海成立自己的工作室 – 祉澗視覺藝術工作室，主要從事廣告插圖、主視覺插圖、概念插圖等插畫設計，以及以插畫為主的品牌視覺設計。

評審準則
插畫組別
50 分
創意、質素和藝術性
40 分
切合主題
10 分
文字說明內容
動畫影片組別
40 分
創意、質素和藝術性
40 分
切合主題
10 分
製作技巧
10 分
文字說明內容
獎項及展覽

所有得獎者將透過電郵獲發訂製的電子獎狀

優勝插畫作品及影片將於網上作品展中展出

插畫組別#
x1
冠軍
電子獎狀及獎金2,000歐元
x1
亞軍
電子獎狀及獎金1,500歐元
x1
季軍
電子獎狀及獎金1,000歐元
x20
優異獎
電子獎狀及獎金150歐元
動畫影片組別^
x1
冠軍
電子獎狀及獎金2,000歐元
x1
亞軍
電子獎狀及獎金1,500歐元
x1
季軍
電子獎狀及獎金1,000歐元

# 評審團將根據總分為100分的評分標準，選出最高分數的23名得獎者，當中最高分數者將依次獲得冠軍、亞軍和季軍，其餘20名將獲優異獎

^ 評審團將根據總分為100分的評分標準，選出最高分數的3名得獎者，當中最高分數者將依次獲得冠軍、亞軍和季軍



立即報名及上傳作品

如有任何疑問，請聯絡主辦機構 – 十點子有限公司︰artonclimate@fingertips.hk

比賽條款及細則
  1. 參賽者必須在報名表格上提供真實和正確的資料，如被認為有失實或遺漏，十點子有限公司（「主辦機構」）保留權利取消其參賽作品的參賽資格。
  2. 參賽者於2025年5月18日當日的年齡須為18歲或以上，才符合資格參賽。
  3. 安聯環球投資亞太有限公司（「贊助機構」）及／或其關聯公司、主辦機構及／或其關聯公司的員工，及與該等員工居住在同一住所的人士，均不能參賽。
  4. 參賽作品必須為參賽者以個人名義提交及從未發表的原創作品。如參賽作品被主辦機構認為涉及抄襲、著作版權侵犯及／或違法行為，其參賽資格將被取消。
  5. 主辦機構保留全權及絕對酌情權作出判斷，如參賽作品包含危險、粗俗、冒犯、不雅、淫穢、非法、種族主義、色情、暴力、誹謗、貶低、不適當、有爭議，或政治宣傳的內容，將被取消參賽資格。
  6. 參加比賽的風險由參賽者自行承擔。在法律允許的範圍內，主辦機構和贊助機構均不會對參賽者或任何第三方，因由比賽引起或相關，及／或因接受獎品而遭受的任何損害、損失、責任、成本、費用或索賠（無論是合同、侵權或其他方式）承擔任何責任。
  7. 參賽費用全免，惟所有涉及之製作及提交作品等費用一概由參賽者承擔。
  8. 每名參賽者最多可提交三份插畫作品及三部戶動畫影片，但最多只能獲得其中一項獎項。額外提交或逾期提交的作品將不獲受理。
  9. 作品一經提交，任何情況下均不能更換。
  10. 不完整、難以辨認、誤導或逾期提交的參賽作品將不獲受理。發送證明不會被視為送達或收據的證明。對於不完整、由於技術原因丟失、損壞、延遲、錯誤提交或因任何原因未收到的參賽作品，主辦機構不承擔任何責任。
  11. 如主辦機構認為參賽者顯然以任何方式規避上述條款及細則，例如但不限於使用多個電子郵件帳戶、多次複製或電腦合成作品、使用多個身份、欺詐性地偽造數據、涉及欺詐或不誠實行為，或以其他方式違反條款及細則，參賽者將被取消參賽資格，任何獲得獎品的權利將無效。
  12. 比賽結果以評審團之最後決定為準，參賽者不得異議。主辦機構保留全權及絕對酌情權，以撤銷參賽者或參賽作品的參賽資格，及／或撤回獎品。
  13. 比賽結果將於2025年9月30日或之前公佈，主辦機構將透過參賽者在報名時提供的電郵地址通知得獎者。參賽者須提供有效電郵地址，因此為主辦機構聯絡參賽者的唯一渠道，參賽者應檢視其電郵收件箱（包括垃圾郵件箱）。
  14. 獎品將以歐元，以現金形式，透過電匯發放至得獎者的銀行帳戶。當主辦機構向得獎者發出電郵通知，得獎者須於該電郵日期的一個月內，向主辦機構提供以下資料：身份證明文件副本，以及得獎者為帳戶唯一持有人的銀行帳戶資料。如得獎者未能在此期限內提供所需資料，該得獎者將被視為放棄獎品，主辦機構保留撤回獎品的權利。現金獎品將在主辦機構收到所有所需資料後兩星期內匯入上述銀行帳戶。
  15. 得獎者有責任在提供接受獎品資料時，提交正確及最新的詳細資料。對於任何因得獎者未能提供準確資料而影響獎品接收或發放的情況，主辦機構或贊助機構均不會承擔任何責任。
  16. 現金獎品將以歐元發放，得獎者須提供以歐元計價帳戶的資料，以獲得現金獎品。否則，歐元現金獎品將以匯款當日應用的匯率，兌換成得獎者銀行帳戶的計價貨幣，因此，有可能會受匯率波動、稅項及其他適用的費用和收費影響。
  17. 主辦機構將負擔匯款費用，惟得獎者將負擔（如有）其他相關費用和稅金、帳戶所屬銀行收取的衍生費用，及其他銀行所在地因相關財務程序產生的費用。主辦機構將在完成匯款後通知得獎者，但得獎者收取現金獎品的時間可能取決帳戶所屬銀行的處理流程和其所在地的財務程序。
  18. 主辦機構保留權利核實得獎者並要求提供身份、年齡、地址和其他資料證明，並在有合理理由認為存在違反條款及細則的情況下撤回獎品。
  19. 主辦機構、贊助機構，及其關聯公司保留權利將提交的作品全部或部分複製、發佈、或使用，包括但不限於推廣宣傳、展覽、教育用途，而毋須取得參賽者之同意或繳付任何費用。
  20. 參賽者同意其作品，以及其姓名及所提交的文字說明，可能會於網上作品展中供公眾瀏覽，而不會獲繳付任何費用。
  21. 參賽者參加比賽若獲得任何奬項，即授權主辦機構、贊助機構及其關聯公司在全球範圍內，有永久的、不可撤銷的、非獨佔的、可轉讓的、免版稅的、可轉授的權利和許可，以使用、複製、修改、改編、發布或展示（全部或部分）其作品中包含的任何知識產權，包括推廣宣傳、展覽及教育用途，而無需版稅、付款或其他補償。每位參賽者均同意不再主張對此類使用享有任何精神權利，並保證他們擁有授予此等權利的全部權利。
  22. 主辦機構保留解釋及修訂比賽規則，和條款及細則的權利，而毋須作事先通知。
  23. 參賽作品一經遞交，即表示參賽者同意遵守比賽的條款及細則。
  24. 所收集之個人資料只供比賽之用，包括但不限於聯絡參賽者及發放獎品，資料（包括參賽者的個人資料）將由主辦機構於比賽結束後保留六個月，之後會被銷毀。
  25. 如果發生超出主辦機構合理控制範圍並妨礙主辦機構遵守條款和細則的行為、遺漏、事件或情況，主辦機構將不對任何未能履行或延遲履行其義務承擔責任。
  26. 對於系統錯誤或其他可能導致接收參賽作品及／或向得獎者發送通知或獎品的中斷、延遲或失敗的問題，主辦機構不承擔任何責任。
  27. 如本條款及細則的任何條款被確定為非法、無效或無法執行，則應將其從本條款及細則中分離和刪除，其餘條款及細則將繼續有完全效力。
  28. 主辦機構和贊助機構保留權利，在其合理控制範圍以外的任何不可預見情況或技術原因下，取消、修改、撤回、終止或暫時中止比賽，而毋須對任何參賽者或第三方承擔任何責任。
  29. 如條款與細則與任何其他通訊（包括但不限於廣告或推廣材料）有任何衝突或不一致，將以條款及細則為準。參賽者將被視為已接受並受此等條款及細則所約束。
  30. 如條款及細則的英文版本與其他翻譯版本存有歧異，均以英文版本為準。
  31. 如比賽引發的任何爭議（包括但不限於有關條款及細則的解釋和適用的爭議），主辦機構的決定將是最終的、決定性的和具有約束力。
  32. 比賽和條款及細則，以及由此產生的任何爭議，均受香港法律和香港法院的非專屬管轄。
主辦機構

4433251

安聯投資

你正在離開此網站及轉至以下網站。此並不意味安聯環球投資亞太有限公司對經重新導向後之網站中所包含的信息給予任何批准或認可，而安聯環球投資亞太有限公司亦不會對有關此連結及其包含的資料承擔任何責任或義務。請注意經重新導向後之網站中可能包含未經認可向香港公眾人士提供的基金和投資策略。此外，亦請細閱經重新導向後之網站中的條款及細則、隱私及安全政策、或其他法律條款信息。如你按「繼續」，即表示您確認上述詳細信息並繼續訪問經重新導向後之網站。 如你有任何疑慮，請按「留在此頁」。

Welcome to Allianz Global Investors

選擇您的語言
  • English
  • 中文(繁體)
選擇您的身份
  • 個人投資者
  • 中介人
  • 其他投資者
  • 退休投資者
  • 安聯環球投資基金 

    • 安聯環球投資基金作為UCITS規例下的傘子型基金，旗下設有投資於固定收益證券、股票及金融衍生工具的多個不同附屬基金，每一附屬基金各具不同的投資目標及／或風險取向

    • 所有附屬基金 (「附屬基金」)可投資於金融衍生工具，會涉及較高的槓桿、交易對手、流通性、估值、波幅、市場及場外交易風險。附屬基金的衍生工具風險承擔淨額最多為其資產淨值的50%。

    • 部份附屬基金的部份投資亦可投資於任何一項工具或工具的組合，例如固定收益證券、新興市場證券及／或按揭證券、資產擔保證券、房地產相關資產（尤其是房地產投資信託基金）及/或結構產品及/或衍生工具，該工具可能會涉及不同潛在風險（包括槓桿、交易對手、流通性、估值、波幅、市場、相關房地產價值及租金收入波動及場外交易風險）。

    • 部份附屬基金可投資於單一國家或行業〔尤其是小型股／中型股公司〕。相對於比較多元化的附屬基金，該等附屬基金或會因其集中投資而承擔較高風險。部份附屬基金須承受重大風險包括投資／一般市場、國家及區域、新興市場〔如中國內地〕、信貸能力／信貸評級／評級下調、違約、資產配置、利率、波幅及流通性、交易對手、主權債務、估值、信貸評級機構、公司特定、貨幣〔尤其是人民幣〕、人民幣債務證券及中國內地的稅務的風險。

    • 部份附屬基金可投資於可換股債券、高收益、非投資級別投資及未獲評級證券，須承擔較高風險（包括波動性、本金及利息虧損、信貸能力和評級下調、違約、利率、一般市場及流通性的風險），因此可對部份附屬基金的資產淨值構成不利影響 。可換股債券將受提前還款風險及股票走勢所影響，而且波幅高於傳統債券投資。

    • 部份附屬基金可將相當比例的資產投資於由非投資級別主權發行機構〔例如菲律賓〕所發行或擔保的附息證券，因而須承擔較高的流通性、信用／違約及集中程度的風險，以及較大波動及較高風險水平。因此投資者可會蒙受嚴重虧損。

    • 部份附屬基金可投資於歐洲國家。歐洲經濟及財政困境有可能會惡化，因而對此附屬基金構成不利影響（如增加歐洲投資所附帶的波動、流通性及貨幣的風險）。

    • 部份附屬基金或會透過滬／深港通或中國銀行間債券市場或其他海外投資渠道制度及╱或相關容許的其他方式而直接及╱或透過一切合資格工具而間接投資中國A股、中國B股及╱或中國債務證券市場故此須承受相關風險〔包括額度限制、規則及規例的更改、基金匯回款項限制、交易限制、中國市場波動及不穩定、潛在的結算及交收困難、交易對手違約、中國經濟、社會和政治政策的變動及中國內地稅務等風險〕。滬／深港通及合格境外機構投資者計劃投資中國A股市場故此須承受相關風險（包括額度限制、規則及規例的更改、交易限制、結算及交收、中國市場波動及不穩定、中國經濟、社會和政治政策的變動及稅務等風險）。投資於人民幣計價股份類別亦須承受人民幣相關的貨幣風險及因貨幣貶值對該股份類別構成不利影響。

    • 部分附屬基金可採取以下策略，可持續及責任投資策略、SDG策略、可持續發展關鍵績效指標策略（相對）、綠色債券策略、多元資產可持續發展策略、可持續發展關鍵績效指標策略（絕對界線）、環境、社會及管治（「ESG」）評分策略及可持續發展關鍵績效指標策略（絕對）。如採取以上策略，附屬基金須承受策略相對的可持續投資風險〔如導致附屬基金在有利條件下放棄買入若干證券的機會，及╱或在不利條件下出售證券或倚賴來自第三方ESG研究數據供應商及內部分析的資料及數據，其可能帶有主觀成份、不完整、不準確或無法取得，及╱或與基礎廣泛的基金相比會減低風險分散程度〕。此舉有機會導致附屬基金更為波動，及對附屬基金表現構成不利影響，因而對投資者於附屬基金的投資構成不利影響。此外，部分附屬基金可能特別專注於被投資公司的溫室氣體排放效率，而非其財務表現。

    • 部份附屬基金可投資於固定分派百分比股份類別（AMf類股份）。投資者務請注意，固定分派百分比不獲保證。該股份類別不能替代支付固定利息的投資。AMf類股份的分派百分比與該等股份類別或本附屬基金的預期或過去收入或回報無關。如果基金錄得負回報，固定分派百分比股份類別將繼續作出分派，因而可能對基金的資產淨值構成不利影響。正數派息率並不代表正數回報。

    • 投資所涉及的風險可能導致投資者損失部份或全部投資金額。

    • 投資者不應單靠本〔網站／文件〕的資料而作出投資決定。

    附註：此附屬基金派息由基金經理酌情決定。派息或從附屬基金資本中支付，或實際上從資本中撥付股息。這即等同從閣下原本投資金額及╱或從金額賺取的資本收益退回或提取部份款項。這或令每股資產淨值即時下降，及令可作未來投資的附屬基金資本和資本增長減少。因對沖股份類別參考貨幣與附屬基金結算貨幣之間的息差，有關對沖股份類別之分派金額及資產淨值會因而更受到不利影響。股息派發適用於A/AM/AMg/AMi/AMgi/AQ 類收息股份（每年／月／季派息）及僅作參考，並沒有保證。正數派息率並不代表正數回報。有關附屬基金股息政策詳情，請參閱銷售文件。


    安聯環球投資亞洲基金

    • 安聯環球投資亞洲基金（「本信託」）乃遵照香港法例並根據信託契約而構成成的傘子單位信託。安聯精選主題收益基金、安聯寰通收益及增長基金及安聯收益增值基金是本信託的附屬基金（每一「附屬基金」），投資於固定收益證券、股票及衍生工具，每一附屬基金各具不同的投資目標及／或風險取向。

    • 部份附屬基金須承受重大風險包括投資／一般市場、個別公司有關、新興市場、信貸用能力╱信用評級╱調低信用評級、違約、波動性及流通性、估值、主權債務、主題集中程度、以主題為基礎的投資策略、交易對手、利率變動、國家及地區、貨幣及資產配置及貨幣〔如外匯管制，尤其是人民幣〕的風險，及因貨幣貶值對人民幣計價股份類別構成的不利影響。的風險。 歐洲經濟及財政困境有可能惡化，因而會對該等附屬基金構成不利影響〔如增加歐洲投資所附帶的波動、流通性及貨幣的風險〕。

    • 部份附屬基金可投資於其他集體投資計劃及交易所買賣基金。投資於交易所買賣基金或須承受額外風險，如被動投資、追蹤誤差、終止及與相關指數有關的風險。而投資於其他集體投資計劃須承受與該集體投資計劃有關的風險。

    • 部份附屬基金投資於高收益（非投資級別與未評級）投資及／或可換股債券，須承擔較高風險，如波動性、違約、利率變動、一般市場及流通性的風險，因此可對此基金的資產淨值構成不利影響 。可能會增加原本投資金額損失之風險。可換股債券將受提前還款風險及股票走勢所影響，而且波幅高於傳統債券投資。

    • 所有附屬基金可投資於金融衍生工具，附屬基金會涉及較高的槓桿、交易對手、流通性、估值、波動性、市場及場外交易風險。運用衍生工具可能導致附屬基金承受超出原有投資款額的虧損。附屬基金的衍生工具風險承擔淨額最多為其資產淨值的50%。

    • 這項投資所涉及的風險可能導致投資者損失部分或全部投資金額。

    • 投資者不應僅就本網站而作出投資決定。
       

    附註：附屬基金派息由基金經理酌情決定。派息或從基金收入及／或從資本中支付，這即等同從閣下原本投資金額及╱或從金額賺取的資本收益退回或提取部份款項。這或令每個收息單位資產淨值即時下降，及令可作未來投資的基金資本和資本增長減少。因對沖股份類別參考貨幣與附屬基金結算貨幣之間的息差，有關對沖股份類別之分派金額及資產淨值會因而更受到不利影響。股息派發適用於A/AM/AMg/AMi/AMgi類收息股份（每年／月派息）及僅作參考，並沒有保證。正數派息率並不代表正數回報。有關附屬基金股息政策詳情，請參閱銷售文件。 

請示意您已閱畢及明白有關重要資料。